Schubert Grand Duo for Violin and Piano
Dvorak Piano Trio “Dumky”

Born and raised in San Francisco, violinist Kenneth Renshaw came to international attention in 2012 after winning First Prize at the Yehudi Menuhin International Violin Competition in Beijing. He was also a prize winner in the Queen Elisabeth International Violin Competition of Belgium, and First Prize recipient of the inaugural Manhattan International Concert Artists Competition.
He has since performed extensively throughout many countries, both as soloist with orchestras including the National Orchestra of Belgium, the Lithuanian National Orchestra, the Jenaer Philharmonie and the China Philharmonic Orchestra, and recitals at notable venues such as the Louvre Museum in Paris, the Mecklenburg-Vorpommern Festspiele in Germany, and the Menuhin Festival Gstaad. As a chamber musician he has collaborated with many esteemed artists: pianist Leon Fleisher, violinists Itzhak Perlman, Pamela Frank and Cho-Liang-Lin, flautist Sir James Galway and violist Kim Kashkashian at festivals such as Caramoor, Verbier, Ravinia, and Music@Menlo.
Equally committed to teaching and mentoring the next generation of young musicians, Kenneth serves as Assistant Professor of Violin at the University of Cincinnati College-Conservatory of Music. He previously served as Teaching Assistant to both Itzhak Perlman and Li Lin at the Juilliard School. Under his guidance, students have won top prizes in the Yehudi Menuhin, Zhuhai, Leonid Kogan, Johansen, Michael Hill, Elmar Oliviera, and Louis Spohr International Competitions. He maintains a thriving private violin studio , with students winning many national competitions and acceptances to Juilliard, New England Conservatory, Colburn, Music@Menlo, Morningside Music Bridge, and other prestigious institutions.
He served as chamber music faculty at the Perlman Music Program's Summer Music School and Sarasota Winter Residency, and the Crowden Music Center's Chamber Music Workshop. In 2018 he participated in a cultural exchange and residency in São Paulo Brazil teaching masterclasses and mentoring students from diverse backgrounds of the GURI Youth Orchestra programs.
Kenneth is committed to using technology to bring greater access to high level string teaching to a global audience, having served as content editor and pedagogical consultant for Itzhak Perlman's "Masterclass" series on masterclass.com.
He holds both Bachelors and Masters degrees from the Juilliard School, where he studied with Itzhak Perlman, Li Lin, and Donald Weilerstein as recipient of the Kovner Fellowship.
During the pandemic, Kenneth discovered his interest in pre-60s Romani jazz, becoming a member of the San Francisco-based musical collective The Hot Clams. He continues to perform with them to this day, most recently at the Cascais Jazz Festival in Portugal, and hopes to bring the sense of connection, joy, and spontaneity of live improvisation to his work as classical performer and educator.
Cellist Jia Kim, recipient of the prestigious 2017 careergrant from the Leonore Annenberg Foundation for Performing and Visual Arts,leads a dynamic musical life as a performer, educator, and a passionateadvocate for the Arts. Ms. Kim has appeared on stages across the United States,South America, Europe, Asia, and the Middle East with performances broadcasted on WQXR, PBS, KMZT Classical, and acclaimed by The New York Times.
As an active performer, Ms. Kim has worked with renowned artists such as Itzhak Perlman, Robert Mann, Kim Kashkashian, Frans Helmerson, Robert Spano, Emmanuel Villaume, John Williams, members of the Juilliard StringQuartet, Cleveland Quartet, Takacs Quartet, Orion String Quartet, and Brentano String Quartet. She has taken the stage at venues including Carnegie Hall, the Metropolitan Museum of Art, Lincoln Center's Avery Fisher Hall, Alice TullyHall, Chicago Symphony Center's Orchestra Hall, Miami's Arsht Center, Valle DeBravo in Mexico, Toronto's Royal Conservatory, Walt Disney Concert Hall, Barclays Center in Brooklyn, Al-Hussein Cultural Center at the National Music Conservatory of Jordan, and many more.
A devoted educator, Ms. Kim has worked with students from the Cleveland Institute of Music, American Academy of Jordan, Tel Aviv Conservatory of Music, Grand Valley State University, University of Hawaii, and in 2016, served as Tone Judge for the Violin Society of America Competition.
Currently Ms. Kim serves on the Faculty of The Juilliard School pre college division, The Mannes School of Music, The Perlman Music Program, and New York Youth Symphony’s Chamber Music program.
Ms. Kim is the cellist of the award-winning Aeolus Quartet and a core member of East Coast Chamber Orchestra (ECCO).
As Artistic Director of Chamber Music Stowe in Vermont and Central Chamber Series in NYC, Ms. Kim is committed to connecting with a wider audience through the powerful language of chamber music.
She is forever grateful to her mentors and teachers Ronald Leonard, Toby and Itzhak Perlman, and Joel Krosnick, with whom she studied at The Juilliard School for a Bachelor and Master Degree in Music. Ms.Kim performs on a Testore cello made in 1748 and a cello by Samuel Zygmuntowicz.
Eliot Goldmund (born Euntaek Kim) is a New-York based American pianist, conductor, and composer, whose musical prowess has been lauded as “nimble” and “colorful” (Anthony Tommasini, The New York Times) and a“real pianistic talent.” (Roy Westbrook, MusicWeb International)
Native of Incheon, South Korea, Eliot moved to the U.S. at the age of 13, after sweeping all of the major piano competitions in his native country. Eliot went on to become prizewinner and participant in numerous competitions, including The 2007 Queen Elisabeth Competition, The 4th International Tchaikovsky Competition for Young Musicians, The 2001 Oberlin International Piano Competition, and The Center for Musical Excellence Grant. Eliot was also the main feature of the 2005 PBS documentary, titled “Euntaek Kim and Performance of Beethoven’s Choral Fantasy.”
Eliot received his undergraduate and graduate degrees fromThe Juilliard School where he studied under Jerome Lowenthal. When Eliot was admitted to The Juilliard School at the age of 16, he was awarded the“Presidential Distinction,” which denoted the highest score awarded among the applicants auditioned in the year. He went on to complete his Artist Diploma on a full scholarship at Yale University under the tutelage of Boris Berman. Before college, Eliot was enrolled at the Pre-College Division of The Korean National University of Arts, where he studied under Bokhee Chang and Jongpil Lim; and The Juilliard School Pre-College. Eliot also studied privately underthe legendary Chinese pianist Yin Chengzong and was coached by Samuel Adler, Audrey Axinn, Ronald Copes, John Corigliano, Mario Davidovsky, Ilya Itin, Joseph Kalichstein, Joel Krosnick, Yoheved Kaplinsky, Seymour Lipkin, RobertMcDonald, Charles Neidich, Matti Raekallio, and Mark Steinberg.
As a concert pianist, Eliot has made solo appearances in venues across the globe, including Belgium, Canada, China, Italy, South Korea, and the United States. As a chamber musician, Eliot has collaborated with members of Aeolus, Calidore, Enso, Escher, Parker, and Ying quartets. Eliot’s collaborations with Heartbeat Opera and Cantata Profana, based in New YorkCity, in their modernized rendition of Beethoven’s Fidelio in May 2018 was praised by The New Yorker, The New York Times, and The Wall Street Journal. Eliot’s tantalizing appearances in June 2018 at the catacomb of Green-WoodCemetery in Brooklyn, NY, as a part of the world premiere of David Hertzberg’s new chamber opera The Rose Elf, were lauded by WQXR as “the best opera event of 2018.” Eliot’s exquisite performances can be heard in his debut solo album,“Debut - CME Presents Vol. 3: Russian Piano” under the MSR Classics label, as well as in “Hertzberg: The Rose Elf” (under Meyer Media LLC) and “The WakeWorld” (under Tzadik label).
Eliot’s 2024-2025 season will include all piano sonatas and sonatinas by Sergei Prokofiev, as part of his ongoing project to record all piano works by the composer. He is proud to continue the legacy of his mentor Boris Berman, who first recorded all of Prokofiev’s piano music.
