Turina Piano Quartet in A minor op. 67
Brahms Piano Quartet No. 1 in G minor
Praised by Strad magazine as having "lyricism that stood out...a silky tone and beautiful, supple lines," Milena Pajaro-van de Stadt has established herself as one of the most sought-after violists of her generation. In addition to appearances as soloist with the New York String Orchestra at Carnegie Hall, the Tokyo Philharmonic, the Jacksonville Symphony, the Sphinx Chamber Orchestra, and Symphony in C, she has performed in recitals and chamber-music concerts throughout the United States, Latin America, Europe and Asia, including an acclaimed 2011 debut recital at London’s Wigmore Hall, which was described in Strad as being "fleet and energetic...powerful and focused."
Ms. Pajaro-van de Stadt was the founding violist of the twice-Grammy-nominated Dover Quartet, and played in the group from 2008-2022. During her time in the group, the Dover Quartet was the First Prize-winner and recipient of every special award at the Banff International String Quartet Competition 2013, and winner of the Gold Medal and Grand Prize in the 2010 Fischoff Chamber Music Competition. Also during her tenure, the Dover Quartet received the Cleveland Quartet Award and an Avery Fisher Career Grant. Her numerous awards also include First Prize at the Lionel Tertis International Viola Competition and top prizes at the the Sphinx Competition and the Tokyo International Viola Competition. While in the Dover Quartet, Ms. Pajaro-van de Stadt was on the faculty at The Curtis Institute of Music and Northwestern University’s Bienen School of Music, and a part of the Quartet in Residence of the Kennedy Center in Washington, D.C. She is now a member of the newly formed piano quartet “Espressivo!” along with acclaimed artists Jaime Laredo, Sharon Robinson, and Anna Polonsky.
A violin student of Sergiu Schwartz and Melissa Pierson-Barrett for several years, she began studying viola with Michael Klotz at the Bowdoin International Music Festival in 2005. Ms. Pajaro-van de Stadt graduated from the Curtis Institute of Music, where she studied with Roberto Diaz, Michael Tree, Misha Amory, and Joseph de Pasquale. She then received her Master's Degree in String Quartet with the Dover Quartet at Rice University's Shepherd School of Music, as a student of James Dunham.
Cuban-American cellist Dr. Tommy Mesa has established himself as one of the most charismatic, innovative, and engaging performers of his generation. The recipient of Lincoln Center’s 2025 Avery Fisher Career Grant and the Sphinx Organization’s 2023 Medal of Excellence, its highest honor, Mesa has appeared as soloist at the Supreme Court of the United States on four occasions and with major orchestras including the Los Angeles Philharmonic at the Hollywood Bowl, The Cleveland Orchestra, The Philadelphia Orchestra, and the symphony orchestras of Indianapolis, Madison, New Jersey, San Antonio, and Santa Barbara, among others. Mesa gave the world premiere of Jessie Montgomery’s cello concerto Divided in 2022 and has been the exclusive soloist since, performing at major halls across the United States and Brazil including Miami’s New World Center, Nashville’s Schermerhorn Center, and Carnegie Hall. His orchestral recording debut of the work was released in July 2023 on Deutsche Grammophon.
In addition to serving as Artist in Residence with the Tucson Symphony Orchestra in the 2024-25 season, orchestral highlights this season include debuts with the Delaware, Glacier, and Rogue Valley Symphony Orchestras as well as the Chamber Orchestra of Philadelphia, a return to the Madison Symphony, and a performance of the rarely heard Lucid Dreams by Canadian composer Jocelyn Morlock with the Windsor Symphony. Last season Mesa celebrated enthusiastic performances with the Calgary and Fort Wayne Philharmonic Orchestras and the Ann Arbor, Columbus, Greenwich, Knoxville, Quad City, and Reading Symphony Orchestras, among others.
Mesa has an active season with recital performances on leading stages as well, including the launch of Mesa’s tour with pianist Michelle Cann, Curtis Institute faculty and soloist. Mesa and Cann will perform at series including University of Vermont’s Lane Series, Chamber Music Pittsburgh, Linton Chamber Music in Cincinnati, and The Schubert Club in St. Paul. Mesa also performs recitals with piano and organ this season at the Phillips Collection, Bargemusic, and Key West Impromptu Classical Concerts, among others. Past performance features include recitals at The Academy of Arts and Letters, Bay Chamber Concerts, California Center for the Arts, Columbia University, Flagler Museum, The Heifetz Institute, International Beethoven Project, Kaufman Music Center, Meadowmount School of Music, University of Miami’s Signature Series, Newport Classical, Perlman Music Program Alumni Recital, Strad for Lunch Series, Virginia Arts Festival, and major universities across the United States.
Mesa recently celebrated several releases, including a recording of tango works for cello and bandoneon with performer-composer JP Jofre and an album of world-premiere recordings by Black and Latinx composers with pianist Michelle Cann which was featured in an exclusive showcase on NYC’s classical station WQXR. Upcoming albums include collaborations with the iconic pianist Olga Kern and the multiple GRAMMY-award winning vocal ensemble, The Crossing Choir.
Mesa’s first solo album, Division of Memory on the PARMA Recordings label, received rave reviews such as in PianoMania, “Do not hold your breath for Yo-Yo Ma to record this repertoire, for the just-as-excellent Mesa has the field entirely to himself.” Mesa was featured on the GRAMMY-nominated album Bonhoeffer with the multiple GRAMMY winning group, The Crossing Choir. He has appeared with them as soloist at The Metropolitan Museum of Art in NYC, Longwood Gardens, The Winter Garden, and the Theological Seminary in NYC. Mesa and The Crossing Choir also collaborated on the U.S. premiere of Astralis for choir and solo cello by renowned composer Wolfgang Rihm and have more collaborations and premieres scheduled for future seasons.
As an ensemble musician, Mesa has been on tours with Orpheus Chamber Orchestra and is the principal cellist of Sphinx Virtuosi who play every year on tour at almost every major venue across the United States. He also collaborates with Jupiter Chamber Players and has toured with Itzhak Perlman both nationally and internationally.
Mesa has given masterclasses at institutions such as U.C Berkeley, Boston Conservatory, the Colburn School, DePaul University, Meadowmount School of Music, University of Miami, University of Nevada-Las Vegas, Northwestern University, and Walnut Hill School. Previously, he held faculty positions at SUNY Purchase, Sphinx Performance Academy, The Heifetz Institute’s PEG Program, Music Mountain Festival and School, Brooklyn Conservatory of Music, Montecito International Music Festival, St. Petersburg International Music Academy, and The Mozart Academy at John Jay College in New York City.
Mesa’s career launched following after becoming the First Prize winner in the 2016 Sphinx Competition and a winner of the 2017 Astral Artists National Auditions. He received his BM from The Juilliard School, MM from Northwestern University, and his DMA from the Manhattan School of Music. His principal teachers were Timothy Eddy, Julia Lichten, Hans Jorgen Jensen, Mark Churchill, Ross Harbaugh, and Wells Cunningham. Mesa performs on a Nicolò Gagliano cello made in 1767 and a bow by Andre Richaume, both generously loaned to him by CANIMEX INC in Drummondville, Canada.
American violinist Sean Lee is one of few violinists who dare to perform the complete 24 Caprices of Niccolò Paganini in concert. A recipient of Lincoln Center’s Avery Fisher Career Grant, Lee has captured the attention of audiences worldwide, with performances described by the New York Times as “breathtakingly beautiful”.
Lee’s ongoing educational YouTube series, “Paganini POV”, utilizes modern technology to share a unique perspective on violin playing. In January 2022, Lee and pianist Peter Dugan released selections from Niccolò Paganini’s 24 Caprices as arranged by Robert Schumann, as an EP and video series titled “Paganini X Schumann: 9 Caprices”, after giving the first performance of the complete 24 Caprices in the Chamber Music Society of Lincoln Center’s 52-year history.
Lee’s debut album was released by EMI Classics, and reached the iTunes top 20 classical bestsellers list. In 2018, Lee collaborated with pianist Peter Dugan to release a second album, SONGBOOK, featuring songs from all over the world from classical to jazz. As a soloist, Lee has appeared with orchestras including the San Francisco Symphony, Jerusalem Symphony, Israel Camerata Jerusalem, and Utah Symphony, and recital appearances have taken him to Carnegie Hall’s Weill Hall, Tel Aviv Museum of Art, Festival di Carro Paganiniano of Italy, and Vienna’s Konzerthaus. A top prizewinner at the “Premio Paganini” International Violin Competition, Lee embraces the legacy of his late mentor, violinist Ruggiero Ricci, who made the first solo recording of the 24 Caprices in 1947.
Lee has collaborated in performances with Itzhak Perlman, Sir James Galway, Deborah Voigt, and members of the Emerson and Guarneri String Quartets. With the Chamber Music Society of Lincoln Center, Lee has performed numerous times at Lincoln Center, as well as on tour internationally at venues including the Lobkowicz Palace in Prague, Czech Republic; LG Arts Center in Seoul, Korea; Shanghai Concert Hall in Shanghai, China; and the White Nights Festival in St. Petersburg, Russia. Lee also performed for PBS’s first international production of Live from Lincoln Center, “Odyssey: The Chamber Music Society in Greece”.
Lee currently resides in the Capital Region of New York State. Born in Los Angeles, Lee studied in Southern California with Robert Lipsett of the Colburn Conservatory, and with violin legend Ruggiero Ricci. Moving to New York City at age 17, Lee studied at the Juilliard School with the internationally acclaimed Itzhak Perlman. At the Juilliard School, Lee earned both Bachelor and Master of Music Degrees, and received the William Schuman Prize upon graduation.
Lee performs on violins made by Samuel Zygmuntowicz in 1995 and David Bague in 1999, and a bow made circa 1890 by Joseph Arthur Vigneron.
Eliot Goldmund (born Euntaek Kim) is a New-York based American pianist, conductor, and composer, whose musical prowess has been lauded as “nimble” and “colorful” (Anthony Tommasini, The New York Times) and a“real pianistic talent.” (Roy Westbrook, MusicWeb International)
Native of Incheon, South Korea, Eliot moved to the U.S. at the age of 13, after sweeping all of the major piano competitions in his native country. Eliot went on to become prizewinner and participant in numerous competitions, including The 2007 Queen Elisabeth Competition, The 4th International Tchaikovsky Competition for Young Musicians, The 2001 Oberlin International Piano Competition, and The Center for Musical Excellence Grant. Eliot was also the main feature of the 2005 PBS documentary, titled “Euntaek Kim and Performance of Beethoven’s Choral Fantasy.”
Eliot received his undergraduate and graduate degrees fromThe Juilliard School where he studied under Jerome Lowenthal. When Eliot was admitted to The Juilliard School at the age of 16, he was awarded the“Presidential Distinction,” which denoted the highest score awarded among the applicants auditioned in the year. He went on to complete his Artist Diploma on a full scholarship at Yale University under the tutelage of Boris Berman. Before college, Eliot was enrolled at the Pre-College Division of The Korean National University of Arts, where he studied under Bokhee Chang and Jongpil Lim; and The Juilliard School Pre-College. Eliot also studied privately underthe legendary Chinese pianist Yin Chengzong and was coached by Samuel Adler, Audrey Axinn, Ronald Copes, John Corigliano, Mario Davidovsky, Ilya Itin, Joseph Kalichstein, Joel Krosnick, Yoheved Kaplinsky, Seymour Lipkin, RobertMcDonald, Charles Neidich, Matti Raekallio, and Mark Steinberg.
As a concert pianist, Eliot has made solo appearances in venues across the globe, including Belgium, Canada, China, Italy, South Korea, and the United States. As a chamber musician, Eliot has collaborated with members of Aeolus, Calidore, Enso, Escher, Parker, and Ying quartets. Eliot’s collaborations with Heartbeat Opera and Cantata Profana, based in New YorkCity, in their modernized rendition of Beethoven’s Fidelio in May 2018 was praised by The New Yorker, The New York Times, and The Wall Street Journal. Eliot’s tantalizing appearances in June 2018 at the catacomb of Green-WoodCemetery in Brooklyn, NY, as a part of the world premiere of David Hertzberg’s new chamber opera The Rose Elf, were lauded by WQXR as “the best opera event of 2018.” Eliot’s exquisite performances can be heard in his debut solo album,“Debut - CME Presents Vol. 3: Russian Piano” under the MSR Classics label, as well as in “Hertzberg: The Rose Elf” (under Meyer Media LLC) and “The WakeWorld” (under Tzadik label).
Eliot’s 2024-2025 season will include all piano sonatas and sonatinas by Sergei Prokofiev, as part of his ongoing project to record all piano works by the composer. He is proud to continue the legacy of his mentor Boris Berman, who first recorded all of Prokofiev’s piano music.